Eurovision 2025 Rehearsals Day 6

Doron Lahav

12 months ago

The 6th day of rehearsals for Eurovision 2025 has just begun.
Today’s performances will be: The first 9 countries performing in semi-final 2 (from Australia to Malta) will take the stage for the 2nd time, and the 6 automatic qualifiers will rehearse for the first time (Spain, Italy, Switzerland, UK, France, and Germany)

The full line-up for today:

🇦🇺 Australia: Go-Jo – Milkshake Man
🇲🇪 Montenegro: Nina Žižić – Dobrodošli
🇮🇪 Ireland: EMMY – Laika Party
🇱🇻 Latvia: Tautumeitas – Bur man laimi
🇦🇲 Armenia: PARG – Survivor
🇦🇹 Austria: JJ – Wasted Love
🇬🇷 Greece: Klavdia – Asteromáta
🇱🇹 Lithuania: Katarsis – Tavo akys
🇪🇸 Spain: Melody – Esa Diva
🇮🇹 Italy: Lucio Corsi – Volevo essere un duro
🇨🇭 Switzerland: Zoë Më – Voyage
🇬🇧 UK: Remember Monday – What The Hell Just Happened?
🇫🇷 France: Louane – Maman
🇩🇪 Germany: Abor & Tynna – Baller

This year, the format of the rehearsals will be different.
Therefore, images might be available later on.
However, the ESBEAT team will do its best to supply all the required information and coverage.

This article will be updated throughout the day, so keep on refreshing and visit us all the day

IMAGES CREDIT: Corinne Cumming, Alma Bengtsson and Sarah Louise Bennett

#1. 🇦🇺 Australia: Go-Jo – Milkshake Man

The performance is heavily influenced by the 1970s and 1980s era.
Go-Jo wears a white suit with a red-striped collar and a red cravat. 2 dancers accompany him and wear red and white striped dresses.
The performance features a big prop: a large milkshake cup “filled” with 2 blue drinking straws
The performance starts with an effect visible only for the television viewers: Go-Jo will appear as a salesperson in a retro style.
The performance has a retro charm and contentious energy. The lighting is mostly of neon elements.
We will have a quick outfit change during the performance. The outfit beneath is light blue overall with starry elements.
Towards the middle of the performance, the lighting will create an exploding color effect. The LED screens show the writing “MILKSHAKE MAN”.
At certain point, he will remain with an exposed chest.
After the “Sweet, Sweet, Yum, Yum” part, the LED screens will be filled with graphics, and the scene will be more of a pink neon party.

#2. 🇲🇪 Montenegro: Nina Žižić – Dobrodošli

Nina wears a white dress with a long train. It also features a panel of structured fabric that creates a circular frame. The circular element spans from her knees to above her head.
Nina is alone on stage, her eyes will be covered in a mask, which will be removed in the first chorus. Her makeup was classic and features a red bold lipstick.
Nina won’t stay in the same place throughout the song. She starts the performance in the center, and later moves to the rectangular front frame.
The performance relies on multiple camera shots, as well as bold lighting. The LED walls show white, gray, and blue light and graphics, including some swirl shapes.
One captivating moment is when the LED walls show weight scales (like librea) growing on top of her head, and “melting” to the LED floor.
In addition, we can see person shadows, a kind of white rainbow
The performance features low white fog, close to the floor.

#3.🇮🇪 Ireland: EMMY – Laika Party

The performance has changed since the Irish “Eurosong 2025”.
Emmy is accompanied by her brother Erlend on the keyboards, and 4 female dancers.
Emmy wears a silver metallic dress with a pleated skirt, silver boots, and a helmet-like hood. Her brother wears a silver shirt with a star decoration, gray pants, and sunglasses. Her dancers wear silver pants and black/silver vests.
Emmy started the performance standing on a shiny metal lunar-shaped platform in the center of the stage.
Location-wise, the four dancers dance in front of Erlend
The floating bones aren’t part of the performance anymore. Instead, we have marching space dogs in each “Bam Bam” humming. The LED walls present neon planets.
In the first chorus, we can see dancing “humanized” dogs dancing in colorful light blue and pink cubes.
In the second chorus, we can see the shape of Laika coming out of the stars.
The final chorus features fireworks jets.

#4. 🇱🇻 Latvia: Tautumeitas – Bur man laimi

The main changes are in the lighting and customers, compared to the staging in “Supernova 2025“.
The band members wear matching gold catsuits with natural decorations (like branches and leaves) and golden shiny gloves. They have gold headdresses that change colors along the song.
The main prop is the beautiful curtain we’ve already seen. The golden colors from “Supernova” are more silvery and cold (like gray, blue, green), but we still have some gold and orange moments.
During the performance, they go behind and in front of the curtain. This unifies them as one magical creature, which later appears to be 6 different figures.
The lighting is more dramatic and powerful, which helps present the shadows more boldly. Part of the added effect creates a kind of tail. This helps to convey the forest theme and the fairy atmosphere. Tautumeitas have to be very precise in their positions on stage to complete the shadow effects accurately.
The performance features low fog as well.

#5. 🇦🇲 Armenia: PARG – Survivor

The performance has completely changed since “Depi Evratesil 2025”.
Parg wears a black sleeveless vest and studded black leather pants. He is alone on stage.
In the second rehearsal, Parg chose to perform shirtless.
The stage is quite dark, and the atmosphere is more dramatic. Some lights are lowered just above Parg’s head, while others are as high as the arena’s roof.
He starts the performance between the beams of light, while the lights move with the bass beats
The main prop here is a treadmill, which is located in the middle front frame.
He runs during the choruses and slows down for the other parts. Part of his treadmill routine features a non-basic choreography. He id walking along, running and jumping,
Towards the end, the lights wall opens and puts the scene in a different visionary space.
The song ends with a pyro effect of big flames. In the chorus before the bridge, flame jets appear on stage.

#6. 🇦🇹 Austria: JJ – Wasted Love

JJ wears a long black leather coat with metal accents, and will be alone on stage.
The main prop is a boat (looks like it’s made of crates) with a wooden mast and a white sail. JJ will be on the boat throughout the performance.
The performance is meant to be broadcast in black and white only. Lighting will be mostly used for lights and shadows. The lights will change based on the drama delivered in the song.
Another prop on stage is wind machines. They will blow powerfully, and sometimes it will look like JJ fighting to stay stable.
He is clinging to the mast as a storm begins in the second chorus. He performs some choreography with the wind, which is in the style of modern dance.
The performance features smart camera artwork, alongside the wind, and different angles.
In the last upbeat 20 seconds, we see waves and storm clouds building on the LED screen, spinning camerawork, flashing strobe lights.
The performance ends with an overhead camera, while a swirl fills the LED floor. While this happens, a tall lighthouse appears on the LED wall and represents the hope for a better story.

#7. 🇬🇷 Greece: Klavdia – Asteromáta

Klavdia wears a long, black dress, the fitted gown that sparkles with tiny jewels.
Klavdia starts the performance standing on a pier. She walks along the pier during the first verse.
The main element on stage is a rocket. Klavdia is stepping towards the rocket, and once she reaches it, she performs the rest of the song on top of it.
The female dancer joins her during the second verse. They have drifted away of the pier, and Klavdia remained alone.
There are multiple LED and light effects, as well as professional camera artwork, along with the performance. Some of the camera shots are overhead, which enhances the drama created by the LED effects (water, burning trees, and volcanic landscapes).
The video art is rich and impressive, showing visuals like stormy waters, winds, flying birds, as well as red water and lava.
The peak point of the performance is when the singer raises her arm, and the blue lights sweep across the set. The performance ends with slowly lowered descending lights.

#8.🇱🇹 Katarsis – Tavo akys

The performance remained very faithful to the original one in the national selection.
The scene is quite dark, and the band members wear blue uniforms. Graphic elements like a bleak landscape, flying rocks, and an exploding house appear here as well, but on a larger scale.
The Basel performance also features more waves and water elemnts
Katarsis utilizes a bigger stage in Basel, and therefore, they are more spread out on the stage.
The main difference (compared to the Lithuanian selection) is the use of lights and shadows. For example, the camera focuses on Lukas’s face, while half of it is covered by shadow.
The performance is most dynamic as they move on stage. In the second verse, Lukas and the 2 guitarists move down to the frame stage.
The performance is generally served in a brighter theme, while the mysterious atmosphere is preserved.
Towards the end, the lights descend and create a gradual light effect that converts to a wings-like view around Lukas. The song ends with flickering strobe lights in each “Tavo” becoming a vivid white flashlight.

#9. 🇲🇹 Malta: Miriana Conte – Serving

4 dancers (2 males and 2 females) accompany Miriana. She is wearing a bright yellow dress with black sleeves and a huge skirt made from tiered netting, a kind of golden underwear on top of the skirt. Later on, the top part of the outfit is removed to reveal a sparkly red and black catsuit.
Her dancers wear red fishnets, strappy black underwear, and red fur jackets.
The concept of performance has changed since “MESC 2025”. However, the Swiss physio balls and the “Sound of Music” theme remained.
The main prop on stage is a set of huge sparkly red lips holding a spinning disco ball. Its height is around 3 meters, and it stands in the middle of the stage.
The performance starts with Miriana inside it. Later on, she is lifted out of this prop.
The dance moves stayed pretty much the same.
Towards the end, Miriana and the dancers are close to the main rectangular frame, where they will be on the red Swiss balls.
The LED screens will present some of the lyrics and will end with “DIVA NOT DOWN”. Along with the song, the LED screens will present dancing legs, exploding flowers, and bouncing leopard visuals.
In the chorus, we will be able to see fire jets in action

#10.🇩🇪 Germany: Abor & Tynna – Baller

The performance has changed since the national selection.
Their main prop is an 80s-style boombox stereo, with a central platform. The design is around 3 meters in height.
Tynna is wearing black military-style hot pants and knee-high military boots, a black crop top, and elbow-length leather gloves. Abor is by the cello. They are accompanied by 4 dancers on stage.
The performance commenced with Abor playing a white electric cello lit by neon lights. He is sitting on a chair. One of the staging elements is a long curtain that goes from the ceiling to the floor.
While hearing the bass playing, the curtain opens and reveals Tynna and the dancers. Tynna is standing on the mentioned platform during the first verse and first chorus.
Thereafter, she descends to join her dancers who light her up with handheld spotlights.
The LED walls present “BALLER” in black font, as well as pulsing white and blue strobe lights.
In the last verse and chorus, Tynna dances on the walkway, as Abor plays his cello on top of the boombox.
The performance ends with the boombox exploding alongside fireworks.

#11. 🇫🇷 France: Louane – Maman

Louane is alone on stage. She is barefoot and wearing a long, black lace dress.
The main element is a circle covered is sand in the middle of the stage. The sand drops down slowly and continuously on one side of the circle, with a spotlight on her.
Later, she kneels and clears some space in the sand to reveal a mirror.
The lighting builds with the orchestral strings, and the drum starts to pound through the floor like a heartbeat until the camera pulls back for a final backlit wide shot.

#12. 🇬🇧 UK: Remember Monday – What The Hell Just Happened?

The performance tells the story of the mourning that comes after a chaotic night.
The girls are wearing a Bridgerton-like corseted dresses: Lauren in pale blue, Holly-Anne in pink and Charlotte in yellow, with lots of flounces and sparkles.
The first verse is located in a boudoir/bedroom.
As the first chorus starts, they walk down the catwalk and reveal the mess from the previous night
The main prop on stage is a big chandelier about 3 meters high. It has crashed down to earth, and candles surround its outside. It is lit in various neon colors.
The camera artwork is diverse, including short films focused on the chandelier, the room, and the girls
In the final chorus, they are singing and located through the heart in the boudoir screen.
The performance will feature pyro effects as well.

#13. 🇨🇭 Switzerland: Zoë Më – Voyage

The staging is intimate and creates a cinematic atmosphere.
Zoë is wearing an off-the-shoulder black silk dress with abstract floral red, blue, and purple prints.
What’s special about the performance is the camera shots and the simplicity. We won’t find props or LED lights, nor dancing or additional people on stage.
The performance is filmed on a full-frame cinema camera, like in the 1970s movies.
She begins the performance while sitting on stage, surrounded by dark lights.
In the bridge, smoke, wind, and stark, overexposed flashes fill the stage, but the camera shots are continuous.
The idea is that the arena audience will lit the stage with their phones.
The performance ends in an intimate moment, where the scene is once again dark.

#14. 🇮🇹 Italy: Lucio Corsi – Volevo essere un duro

The performance will feature on-screen English subtitles, so non-Italian speakers will be able to understand the message.
Lucio is wearing a giant-shouldered yellow bolero jacket and is accompanied by Tommaso on stage. Lucio’s face will be covered by white makeup.
The performance starts with Lucio sitting by a long piano, while Tommaso in on the guitar.
Later on, Lucio takes his guitar and moves to the center of the stage.
The staging relies on 3 main props – Two retro speakers (One of them is bigger and square) and a sepia filter. The filter enables to apply of brown and white effects for the screen viewers.
There’s also a live instrument appearance: Lucio will play the harmonica, while being in the front frame stage with Tommaso

#15. 🇪🇸 Spain: Melody – Esa Diva

The staging has changed significantly since “Benidorm Fest 2025”.
Melody is wearing a black corseted bodice with a long train, pointy bits on the shoulders and hips, a black fedora, and black thigh boots.
Beneath that, she is wearing a shiny silver bodysuit that is heavily embellished with crystals, sequins, and rhinestones. The outfit featured a deep plunging choker neckline and structured shoulder design
She is accompanied by 2 female dancers and 3 male dancers.
The main prop on stage is a huge downstairs structure with nested squares on top.
At the beginning, she appears on a white background, while her shadow is bold and black.
The performance aims to tell a story in 3 parts. Each part has its own roles, rules, and message. In all of them, the performance relies on Melody’s charisma.
The first part is purple-themed, the second one is red-themed and the last one is mainly white.
The song ends with a white light that illuminates the LED mountains. The last 10 seconds rely on a dance break.

Eurovision 2025 will be held in Basel, Switzerland on the 13th, 15th, and 17th of May 2025.
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