Review: “Dansk Melodi Grand Prix 2026” (Denmark)

Denmark will select its Eurovision 2026 entry via “Dansk Melodi Grand Prix 2026″.
8 artists will compete in the selection. The final will be held on Saturday, February 14th, 2026.

The results will be based on a 50% public vote and a 50% jury vote.

In this post, I will review the 8 competing songs:

#1. Sander Sanchez – Two Spirits

• It is a modern, soulful pop song with R&B influences.
• The song starts with a minimalist electronic beat and a high, clear vocal riff from Sander.
• The first verse is melodic and builds tension through a syncopated bass synth and drums. He sings it in a lower-tone of voice.
• The first pre-chorus introduces lush, multi-layered vocal harmonies. The beat is combined with a more sparse melody.
• The first chorus is a smooth, sophisticated hook that focuses on Sander’s impressive vocal range and gentle falsetto. The post-chorus relied on modern beat, combined with guitar riffs.
• The second verse adds a rhythmic “snap” and more synth layers. The rate is a bit faster, the singing is a bit more nonchalant.
• The second chorus relies on a strong hook with rich production. Vocally, we get more from him,
• The bridge is powerful, built on the essence of deep synth elements and American tribal music.
• The last chorus starts laid-back, and then gets more powerful until the big drop.
• Overall, it’s a high-quality production. Sander’s vocals are the main selling point, and the song feels very contemporary. It is a song that I have started liking more recently. It has a chance to do nicely at Eurovision, but not necessarily excel.

#2. Late Runner – Can U Feel It?

• It is an upbeat, retro-pop track with strong 90s indie-dance vibes.
• The song starts with a bright, sunny synth melody and a fast-paced, grooving bassline.
• The first verse features a dual-vocal delivery that feels light and effortless.
• The first pre-chorus is a rhythmic transition with “airy” backing vocals.
• The first chorus is a simple, feel-good hook that invites the listener to dance.
• The bridge is an instrumental jam that highlights the “live” band feel of the track.
• Overall, it’s a very retro song with a lack of potential awareness.
• While it might lack the “drama” often seen at Eurovision, its infectious positivity is a strong asset for the Danish public. However, the song suggests a bit of too much childish Euro-teen pop, which I struggle to find appealing.

#3. Søren Torpegaard Lund – Før Vi Går Hjem 

• It is a nostalgic, guitar-driven electro-pop song performed in Danish.
• The song starts with a catchy dance club beat mixed with a guitar riff and a steady, rhythmic drum beat.
• Søren’s first verse is delivered with a warm, storytelling tone. His voice is crystal clear. The first verse is built on 2 parts.
• The first pre-chorus is a classic melodic climb that builds excitement for the hook. He sings this part a bit slower
• The first chorus is a major-key, sing-along anthem that celebrates Danish culture and late-night vibes. There are times it sounds a bit of stadium anthem. The melody is fragmented.
• The second verse is similar to the first one, but gives us more of a raspy voice.
• The second pre-chorus features some falsetto singing. The production is more laid back,
• The second chorus goes even bigger, and the club atmosphere is well blended.
• The bridge features a rhythmic breakdown with hand-claps before a final, high-energy chorus. The bridge ends with very long and high votes.
• Overall, it’s charming, authentic. The song can be a interesting choice as a more commercial continuation of 2021 (The last time Denmark has sent a song in native lanuage),

#4. Sissal – Infinity

• It is a soaring, rhythmic synth-pop ballad performed in both English and Danish.
• The song starts with an atmospheric, watery synth pad and Sissal’s powerful, grounded vocals.
• The first verse builds momentum with a steady electronic pulse. Sissal sings it with a beautiful velvety voice.
• The first pre-chorus is a slow, methodical orchestral swell that adds cinematic weight.
• The first chorus is a grand, melodic explosion. The melody is based on synth, keyboards, and drums. The post-chorus is based on one repeating word in Danish. It is mostly about her big notes, until it converges to another drop.
• The second verse is based on drums and an electronic framework. The second pre-chorus is based on some percussion and performed in Danish. She sings this part more nonchalantly, and the piece is more radio-friendly.
• The second chorus is quite similar to the first one. It relies on secondary vocals and suggests a modulation before the big explosion.
• The bridge is an emotional climax with Danish lyrics, adding an authentic direction.
• Overall, as the defending champion, the pressure is on. This feels more “hopeful” than her last entry and showcases her growth as a vocalist. However, I am not sure about its chances. There’s nothing bad about the song, but it lacks some uniqueness.

#5. Emil Otto – Copenhagen Noir

• It is a cinematic, jazz-pop track with a distinct 1950s film-noir aesthetic.
• The song starts with a muted trumpet and a light, brush-percussion rhythm that creates an immediate “smoky club” atmosphere.
• The first verse features Emil’s velvety, baritone vocals over a walking bassline.
• The first pre-chorus introduces a subtle piano melody that adds to the monochrome vibe.
• The first chorus is sophisticated and smooth, focusing on the title hook “Copenhagen Noir” with lush string arrangements. The production sounds professional and tight. Emil’s vocals combine well with the different instruments. The chorus ends with orchestral signrature.
• The second verse continues in the same way. The melody line is based on wind and string instruments.
• The second chorus takes us a bit out of the jazzy bubble, making it sound a bit more commercial, radio-friendly pop.
• The bridge features a melodic saxophone and keyboards before a final, slightly more intense chorus. The final chorus is very jazzy, relying heavily on wind instruments and ending with simple strings.
• Overall, it’s a high-concept entry. It feels authentic and incredibly classy, though it may be too niche to win the public vote. However, it has great potential to stand out due to its unique genre. The jury will eat it up easily. Personally, I enjoyed this one and streamed it a lot. A wonderful artistic creature!

#6. Mykmur – Touch My Love and Die

• It is a dark, avant-garde Nordic-folk ballad with cinematic metal undertones.
• The song starts with a haunting nyckelharpa (keyed fiddle) melody and Amalie’s ethereal, high-pitched “white voice” singing sampled into the arrangement.
• The first verse is sparse and atmospheric, focusing on the raw emotion. It suggests a mysterious line through Mykmur’s voice. The melody is based on bowed strings and guitar riffs.
• The first pre-chorus introduces a deep, rumbling percussion that mimics thunder. It ends with higher nores.
• The first chorus is a haunting moment where folk instruments collide with heavy orchestral strings. The contrast between her soft angelic voice and the intense symphonic metal melody creates an irresistible musical peak moment.
• The post-chorus is an instrumental part that relies on drums, bass, and guitar riffs.
• The second chorus starts laid back; its melody is based on simple keyboards. Thereafter, we get the main chorus with the metal production, featuring the bass, drums, and strings. Singing wisely, it is very sweeping and powerful. even though she doesn’t sing it in high volume.
• The bridge features a sudden, intense rhythmic section with “shouted” traditional chants. The genre blends some Celtic music as well.
• Overall, it is the most artistic entry of the year. It’s haunting and powerful, potentially making it the “Gåte” or “Go_A” of 2026 (for good or bad). It is definitely, one of the unique entries in the selection. With the right staging, it might play the card of the dark horse no one expected.

#7. Lasse Skriver – Roaring Hearts

• It is a mid-tempo retro-pop ballad, with early 2010’s influences.
• The song starts with a simple acoustic guitar strum, and Lasse’s gravelly vocals are instantly recognizable from his X Factor days.
• The first verse is intimate but rhythmic. The melody is based on keyboards and guitar
• The first pre-chorus introduces a driving bass drum that signals the anthem to come. Lasse starts this part with a warm mid-tone voice to a low tone of voice.
• The first chorus is a sing-along moment with heavy percussion and vocal “oh-oh-oh” hooks.
• The second verse adds more electric guitar textures.
• The bridge highlights the emotions by showcasing Lasse’s vocal power.
• Overall, it’s quite basic, radio-friendly pop ballad. While it might lack the “drama” often seen at Eurovision, its infectious positivity is a strong asset for the Danish public. However, for me, it is more of an “X-Factor” alumni entry, and less of Eurovision material. I couldn’t really remember it by heart.

#8. Ericka Jane – Death of Me

• It is a high-energy, “ecclesiastical” dance-club anthem.
• The song starts with a surprising choir-like vocal and the sound of church bells, which are quickly overtaken by a heavy 808-bass and a rhythmic synth pulse.
• The first verse is sung with a sassy, rhythmic delivery. She sings effortlessly in mid-tone of voice.
• The first pre-chorus is a classic EDM build-up that heightens the “club” energy.
• The first chorus is an explosive earworm with an infectious beat and a repetitive hook that stays in your head. The vocals are build efficiently through several layers, among them echoing low-ton male vocals.
• The second verse is based on simple, and she sings it lightly and slightly higher.
• The second chorus starts with simple, laid-back vocals, mostly relying on the echo vocals.
• The bridge features a spoken-word “preaching” section that reinforces the “church of the dancefloor” theme. It continuess with a more playful way, until it explodes to the final chorus.
• Overall, it is the standout pop entry. It feels fresh, professionally produced, and very “Eurovision-ready”. Above all, it has a lot of staging potential. It can definitely be a bold contender from Denmark.

My Personal Ranking

1. Ericka Jane – Death of Me
2. Emil Otto – Copenhagen Noir
3. Søren Torpegaard Lund – Før Vi Går Hjem 
4. Mykmur – Touch My Love and Die
5. Sissal – Infinity
6. Sander Sanchez – Two Spirits
7. Lasse Skriver – Roaring Hearts
8. Late Runner – Can U Feel It?

My Prediction

It is one of the selections that’s hard to predict. It is one of the best Danish selections I remember, and the strongest from 2018.
In my opinion, the top 3 will be Ericka Jane, Sissal, and one of the male acts.
It seems the battle will be between Ericka Jane and Sissal.

Who is your favorite to win “Dansk Melodi Grand Prix 2026″?

Denmark will compete in semi-final 2 of Eurovision 2026 (May 14th, 2026).
The country is allocated to perform in the second half of the show.

Eurovision 2026 will be held in Vienna, Austria, on May 12th, 14th, and 16th, 2026.